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One of the most successful solo shows of all time... Over 2000 performances globally.
Orwell's timeless allegory brought to life in an astonishing, 'has-to-be-seen-to-be-believed' performance!

Touring Availability - Through 2026-27

Please enquire
: theatretoursint@gmail.com

SHOW HISTORY: WORLD PREMIÈRE: Traverse Theatre, January 25, 1995 (with Guy Masterson)

EDINBURGH FRINGE: 1995, 1996, 2004, 2010 & 2024
(with Guy Masterson)
2001
(with Lizzie Wort)
2006
(with Gary Shelford)
2014
(with Tumanishvilli Film Actors Theatre of Tbilisi)

ADELAIDE FRINGE: 2007
(with Gary Shelford)
2009, 2013
(with Guy Masterson)
2025
(with Sam Blythe)

GENERAL TOURING: Domestic and Worldwide from 1995 - 2025

Sam Blythe in Animal Farm (Image Credit: Nux Phtography)

(Image Credit: Nux Photography)

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Theatre Tours International Ltd presents

ANIMAL FARM with Sam Blythe

Performed by Sam Blythe
Adapted & Directed by Guy Masterson
(with original direction by Tony Boncza)
From the book by George Orwell

CELEBRATING 80 years since the book's publication and 30 since its first performance, Guy Masterson's globally renowned solo adaptation of Orwell's barnyard masterpiece is now performed by the brilliant Sam Blythe.

Bringing all of Orwell's multiple characters to vivid life, Blythe gives us Snowball, Napoleon, Squealer, Boxer, Clover, Mollie, Benjamin, Muriel, the Sheep, Dogs, Cows, Hens - and, of course, the cat - in a spellbinding performance that will shock, enchant, bewitch and bewilder, and linger long in the memory, ringing out Orwell's prescient warning that politicians through the ages, and of all creeds and colours will often let power corrupt them... and sometimes corrupt them absolutely...

A must-see epic, more relevant than ever!

"ANIMAL MAGIC! The tale ignites, bringing both humour and sinister aspect to the rhetoric of the upwardly mobile pigs!" (The Herald)

"This brilliant adaptation gets to the heart of Orwell's barnyard classic, maintaining his original textual structure and style in a powerful multi-character performance that makes the book accessible and exciting. Animal Magic!" (The Times)

"A brilliant adaptation which delights with its physical grace and artistry. Complex and entirely theatrical, a combination of bravura acting and poetic storytelling that brings new nuance and meaning" (The Scotsman)

UK THEATRE WEB
THEATRE WEEKLY
BROADWAY WORLD
QUINTESSENTIAL REVIEW
EDINBURGH REPORTER
ONE-4-REVIEW



Download: Guy Masterson Headshot

GUY MASTERSON - Adaptor & Director (click for additional biographical material)
After obtaining a Joint Honours degree in Biochemistry and Chemistry from Cardiff University in 1982, Guy studied drama at UCLA's School of Drama and started as an actor in 1985 in Hollywood. He returned to the UK in 1989 to study further at LAMDA. He is an multi-award winning actor, playwright, director, producer, international presente, dramaturge and renowned acting and executive coach.
Following a conventional start in plays, film and television, Guy began solo performing in 1991 with The Boy's Own Story and thence Under Milk Wood in 1994 and Animal Farm in 1995. He first produced/directed in 1993 with Playing Burton participated at the Edinburgh Fringe for the first time in 1994. The following 28 seasons saw his association with many of Edinburgh's most celebrated hits, and his company became EdFringe's most awarded independent theatre producer - garnering 8 Scotsman Fringe Firsts, 3 Herald Angels, 25 Stage Award nominations (including 4 wins) together with numerous lesser awards. Guy also directed two of Edinburgh's biggest grossing dramatic hits: 12 Angry Men - famously starring a cast of well-known comedians (including Bill Bailey, Dave Johns and Phil Nichol, which then toured Australia and New Zealand - and The Odd Couple (2005) again starring Bill Bailey with Alan Davies. He also originated One Flew Over The Cuckoo's Nest (2004) starring Christian Slater and Mackenzie Crook which transferred to teh Gielgud Theatre in London's West End and later The Garrick Theatre.
His 2009 production, Morecambe, transferred to The Duchess Theatre in the West End and won the Laurence Olivier Award for Best Entertainment (plus another nomination for the actor playing Eric).
At Edinburgh 2014 his epic 30 actor adaptation of Animal Farm produced by Tumanishvili Film Actors Theatre of Tbilisi, (Georgia), won the Stage Award for Best Ensemble. Most notably, his 2019 hit, The Shark Is Broken opened at the Ambassadors Theatre in the West End in October 2022 for 18 weeks and was Olivier Award nominated for Best New Comedy. It since played 7 weeks at the Royal Alexandra Theatre in Toronto and 18 weeks at the John Golden Theatre on Broadway from August 2023. It toured the UK spring 1995. Masterson also directed a new production at North Shore Musical Theatre in Beverly Massechussetts which then played at the JAWS 50 Celebrations on Martha's Vineyard in June 2025.
In 2023, he directed Picasso: Le Monstre Sacré at the Playground Theatre in London, and co-directed the award winning The Marvellous Elephant Man - The Musical at the Adelaide Fringe Festival, the Melbourne International Comedy Festival and Sydney Fringe Festival. Most recently, his acclaimed 2018 production of The Marilyn Conspiracy which opened at Assembly Festival in 2018 (and was due to transfer to London in June 2020 but postponed by Covid19), finally played at The Park Theatre.
As a performer, Guy won The Stage Best Actor Award in 2001 for Fern Hill & Other Dylan Thomas, and was aslo nominated in 1998 for A Soldier's Song, in 2003 for Best Solo Performance for Under Milk Wood, and again in 2011 for Shylock. In 2003, he also received Edinburgh's most prestigious accolade, The Jack Tinker Spirit of the Fringe Award. His most recent solo work, A Christmas Carol, has sold nearly every ticket over 6 festive seasons since it opened in 2017. It has also played Off Broadway's Soho Playhouse, Yale University, The Met, Kansas City, in Bethlehem USA, as well as Milan, Italy.
His theatrical commitments have largely kept him out of mainstream film and television, however, he made the obligatory appearance on Casualty (Christmas Special 2004) and has been the Franziskaner Monch - the face of the premium German Weissbier - since 2007! He also writes plays, screenplays and poetry, is an executive performance and confidence coach. His passion is to bring great new ideas to life and fresh talent to the stage.
He is married to Brigitta and father to Indigo and Tallulah...


Sam Blythe

SAM BLYTHE - Performer
Sam
graduated in 2012 from Arts Ed, and has since worked on stage, screen and voice.
Notable theatre credits include: Charles Dickens in The Great Christmas Feast (The Lost Estate); Alfie Solomons in the award-winning Peaky Blinders: The Rise (Immersive Everywhere); The Doctor in Doctor Who: Time Fracture (Immersive Everywhere). He has also been a prominent member of renowned immersive theatre company Secret Cinema, performing in productions such as Stranger Things, Casino Royale, Dr. Strangelove, Victoria, 28 Days

Animal Farm
marks Sam's second solo work, the first being Method In My Madness, - a one man Hamlet - which premiered at EdFringe 2024 and returned in 2025.

Download: Tony Boncza

TONY BONCZA - Original Director
Trained at the Central School of Speech and Drama.
Theatre credits include: Coriolanus, RSC; Great Britain - Royal National Theatre; The Mousetrap (60th Anniversary international Tour). BBC Director General - Yes, Prime Minister, (Trafalgar Studios West End & National Tour); Four Nights in Knaresborough (Southwark Playhouse); The Critic (Minerva, Chichester Festival Theatre); 1800 Acres (Riverside Studios); Shakespeare in the Garden (Japan); Victor in The Price (Wolsey Theatre, Ipswich); Tom in The Norman Conquests (Birmingham Rep); Charlie in Death of a Salesman (Royal Lyceum, Edinburgh); Musik (Plymouth Theatre Royal); Indian Ink, A Woman of No Importance, To Kill a Mockingbird, Jamaica Inn, Barbarians, Donkeys' Years, Macbeth, A Winter's Tale, Lady Windermere's Fan, Just Between Ourselves, Racing Demon, The Cherry Orchard, The Merchant of Venice, The Rover, The Banished Cavaliers, The Norman Conquests and The Crucible (Salisbury Playhouse); The House of Correction (Guy Masterson Productions/The Pleasance)
Revue and cabaret includes: Boncza and Lumley: Back by Public Demand, Crackers Deluxe, More Crackers and Christmas Crackers (Salberg Studio, Salisbury Playhouse); Bars on Broadway (Nuffield Theatre, Southampton); The Pindar of Wakefield (Grays Inn Road, London).
Television includes: The Sarah Jane Adventures, Doctors, Londoners (Polish TV), Hotel Babylon, EastEnders, The Inspector Lynley Mysteries, The Vet, Ties of Blood, Squadron, Coronation Street, Jackanory Playhouse, Strangers, Morecambe and Wise's Night Train to Murder, Eric Sykes's If You Go Into the Woods Today, For Maddie With Love, Dick Turpin.
Films include: Chariots of Fire, Empire of the Sun.
Directing credits include: Animal Farm, A Soldier's Song and Under Milk Wood (National and International tours for Guy Masterson/TTI and British Council); Bella Bella Donatella (Salisbury Umbrella/ Salisbury Playhouse); and has also directed a number of corporate and short films.
He also co-wroteBarton Stacey and the Theft of the Elgin Marbles for BBC radio with the late Roger Leach.

Other shows directed for Theatre Tours International

Other shows performed for Theatre Tours International

George Orwell

GEORGE ORWELL - Author
George Orwell was born Eric Arthur Blair in 1903 in India and educated at Eton College unitl 1917. In 1921 he served in the Imperial Police of Burma which inspired his first novel Burmese Days eventually published in 1935. From 1930, he worked as a schoolteacher, private tutor and bookshop assistant while writing articles and reviews for several publications. His second book (but first to be published) Down And Out In Paris And London was written under his new pseudonym George Orwell in 1933.
Commissioned in 1936 to visit areas of mass unemployment in Lancashire and Yorkshire to write The Road To Wigan Pier - a passionate study of the plight of the jobless, published in 1937, followed by Keep The Aspidistra Flying. In late 1936, Orwell join the Republican POUM militia in the Spanish Civil War where he was seriously wounded by a bullet to the throat.
Orwell returned again to England in 1938, escaping from Spain through the Pyrenees. His next book, Homage To Catalonia, recorded his experiences. In 1939, in Morocco, he wrote Coming Up For Air, - a defence of the individual against big business. During the remainder of World War II he served in the Home Guard and broadcast for the BBC Eastern Service and from 1943 onwards he also worked freelance for The Observer and Manchester Evening News. Finally, he took a post as Literary Editor of The Tribune where he regularly contributed political commentary. The death of his first wife in 1945 coincided with the publishing of Animal Farm which brought him immediate international recognition. His final and equally notorious parable illustrating his dislike of totalitarianism, Nineteen Eighty Four, was published in early 1949. At this time he was taken seriously ill with tuberculosis and, in January 1950, shortly after marrying Sonja Bronwell, he died... Animal Farm & Nineteen Eighty Four have since been translated into over one-hundred languages. Animal Farm remains the highest selling paperback of all time.

THE PLAY: A FAIRY STORY... as Orwell himself described it, was conceived as a direct commentary on Stalin’s systematic abuse of the 'Ideals of Communism' yet, the allegory itself is rather domestic. The farm and its animals are obviously typically Britis,h and the fable has a distinctively British traditionalism, liberalism and decency in it’s essence... yet its message of betrayed idealism still manages to touch upon the key elements of contemporary affairs and political anxieties all over the World; Just after Animal Farm was published in 1945, post-war Britain elected the Atlee Labour Government with its application of Welfare State legislation and was coming to terms with a new, weaker position in the World. Stalin was slowly being exposed as a ruthless dictator and, through Animal Farm, Orwell, a disillusioned Socialist, was attempting to persuade blinkered British liberals about Stalin’s real nature. In this way the events of his story were specifically arranged to mirror those evident in Stalin’s betrayal of the Soviet people. More importantly, however, the book was designed an indictment of the processes and dangers of totalitarianism and the methods and machinery that a modern state can bring to bear in its pursuit; the double-speak and propaganda, the lies, threats, coercion, corruption and oppression... more modernly known as 'spin', 'sleaze' and 'alternative facts'... as its leaders fight to perpetuate ther terms against the interests of those who they are supposed to serve... So when Animal Farm is taught in schools simply as an allegory on the Russian Revolution - or more generally as “anti-Communist” - it actually goes against what Orwell stood for...He shared a common hope that social democratic revolution would be capable of transforming a society into a “caring sharing nation”. But he worried also that those who should benefit from such revolutions too often end up as the victims. Indeed, he explained: “I meant the moral to be that revolutions only reflect a radical improvement when the masses are alert and know how to chuck out their leaders as soon as the latter have done their job...”
Perhaps the “revolution” that has occurred in the United Kingdom - indeed all over the western world - over the last eighty years has been one of consumerism and entrepreneurial plenty (or just plain greed) at the ultimate expense of those less fortunate or able than others, and perhaps Orwell’s warning to us today is that, even as we are lucky enough to live in relative peace and harmony in a "safe country" we must be even more vigilant to the dangers of the power-seekers and awake to the vacuous promises they make to perpetuate their power.
In the UK, with our adversarial system of government, Owellian 'power-harvesting' as depicted in Animal Farm might not happen in large “Napoleonic” doses, rather, in small, sly spoonfuls, where each is made easier to swallow by the sugary machinations of party politics... sleaze, corruption and alternative facts... It’s ever harder to detect, but the end result could be worse. The electorate's job, therefore, is to be ultra-vigilant... to take note, to challenge, and ultimately, TO VOTE... to ensure that those whom WE CHOOSE to lead us do not forget who they work for... US - the electorate... Not us for them. Guy Masterson

ORIGINAL DIRECTOR’S NOTE:
When Guy and I started working on Animal Farm back in December 1994, apart from deciding on the narrative and dramatic style, it was obvious we were going to have problems with the livestock. Guy had already proved a certain vocal dexterity in his acclaimed solo Under Milk Wood, but how could he possibly do animal impressions for two hours straight and still be taken seriously? Couldn’t Animal Farm be performed by Johnny Morris or Percy Edwards? We thought not.
When creating the performance, we decided to avoid a one-man farmyard, but concentrate Guy’s physical characterisation on the main protagonists; Snowball, Napoleon, Squealer, Benjamin, Boxer and Clover and some smaller cameo roles, but the flocks of sheep, the gaggles of geese, the hens, the lesser horses, dogs and minor porkers would have to fall into a category called “animal effect”.
Because it had become Guy’s style to act everything within his performances - if it’s not there, mime it - it was decided that all the animal noises would be made by his human voice - instead of using recorded animal sounds & BBC effects... In no time at all, complicated orchestrations, combining ducks, geese and dogs could be herd (sorry) in the snug bar at the Two Brewers in Northaw; sheepish arias in the saloon of The Sun; and swinish serenades in the cellar of The Pig and Whistle...
But due to the number of animals involved it became clear Guy would have to farm out some of the work... So, he made a pig of himself, told me to stop horsing around acting the giddy goat, and eventually cowed me into making the animal impressions with him. I was ducked.
Early January 1995, with time running against us, Guy was still finishing the adaptation while he was learning it and the Traverse Theatre in Edinburgh had brought the “World Premiere” forward by two weeks...
Together, we descended one snowy morning on an unsuspecting studio in South London. Eggs were broken, planks were snapped, toilets flushed and vocal chords pinged as our menagerie of animal “voices” were sampled, computerised, multi-tracked, mixed, re-mixed, and finally, mastered.
The sound engineer was more used to sex, drugs and rock ’n roll, but after a twenty hour session with Guy and me, bleating, mewing, neighing and oinking, they were half way to the funny farm themselves...
The rest is silage. Tony Boncza


For Guy Masterson reviews Click Here

ANIMAL FARM - ONE OF THE GREATEST EVER SOLO SHOWS!

HAS TO BE SEEN TO BE BELIEVED

Celebrating the 80th Anniversary of Orwell's barnyard masterpiece, Guy Masterson's globally acclaimed solo adaptation continues 30 years after its premiere, with the phenomenal Sam Blythe donning the trotters... Perhaps more topical than ever.

Directed by Olivier Award Winner, Masterson (The Shark Is Broken) the brilliant Sam Blythe (Method In My Madness) now dons the trotters as the Pigs, led by Napoleon, inextricably follow the time-trodden-template for totalitarianism...

But it couldn't really happen here... could it?

Broadway World (06/08/25) "SUPERB! A TOWERING PERFORMANCE! "
https://broadwaybaby.com/shows/animal-farm/826644

"Sam Blythe is directed by Guy Masterson in this superb one-man adaptation of George Orwell's seminal novella. The structure and characters of the original render it problematic to stage successfully, making this outstanding piece of theatre an especial treat for those keen to revisit this allegory of the Russian Revolution and commentary on totalitarianism.That the history books are replete with tales of the good-natured, the simple and the trusting being manipulated by slick oracy, hollow promises and plain thuggery is no secret. But admission that our own times are – irrefutably – beset with such manipulative practices still carries the risk of an eyebrow raised in askance (at best), or a short trip to the nearest high window (at worst).
Blythe's occasional nods to apposite moments in our own world drive home Orwell's universal themes of impotence and outrage. And there is a delicious feeling, together in this darkened space, that we are complicit in this revolutionary act – in this telling of truths.
Blythe creates both humans and animals with an extraordinary physical capacity, conjuring the tragic and the risible in equal measure. A boorish Napoleon, the silliness of the sheep, coquettish Molly, obsequious Squealer, and an array of personalities are bounced between at impressive speed. But the stars of the show are Clover and Boxer, created with such tenderness and humanity that their sufferings force an almost physical weight on the audience, who must bear witness to their journeys.
Blythe's towering performance remains respectful to the source at all times, while breathing innovative new life into phrases that have become ingrained in our collective lexicon. This insistent, breathless piece should be on the Fringe shortlist for anyone interested in quality theatre – and an imperative for anyone interested in quality of life." (Rebecca Vines)

Theatre Weekly (10/08/25) NOT JUST A MASTERCLASS, BUT AN EDURING WARNING!
https://theatreweekly.com/edinburgh-fringe-review-animal-farm-at-assembly-george-square-studio-one/

"George Orwell's Animal Farm has long stood as a chilling allegory of power, propaganda and political betrayal. In this 30th anniversary revival of Guy Masterson's legendary solo adaptation, directed by Masterson himself, Sam Blythe delivers a performance of staggering intensity and nuance that reaffirms the timeless relevance of Orwell's vision.
Wearing only a boiler suit and armed with no props, Blythe conjures an entire farmyard of characters with astonishing physicality and vocal dexterity. From the noble Boxer to the scheming Napoleon, the cynical Benjamin to the sycophantic Squealer, each animal is vividly realised. Blythe's ability to shift seamlessly between personalities is nothing short of mesmerising, and his embodiment of the animals' distinct traits keeps the audience utterly engrossed throughout.
The production cleverly incorporates subtle updates to Orwell's text, referencing contemporary political events without ever feeling forced. The parallels to modern-day misinformation and authoritarianism are striking, yet the original message remains intact: the corrupting nature of power and the ease with which truth can be manipulated. Blythe's portrayal of propaganda is particularly compelling, capturing the insidious charm of Squealer with chilling precision.
Despite occasional audience distractions, Blythe remained captivating and composed, drawing us deeper into the narrative with each beat. His command of the stage is total, transforming the bare space into a vivid landscape of revolution and betrayal. The absence of set or costume only heightens the impact, allowing the storytelling to shine in its purest form.
This production is not just a masterclass in solo performance, it is a vital reminder of Orwell's enduring warning. Blythe's interpretation is fresh, urgent and deeply affecting. Under Masterson's direction, the show retains its legendary status while gaining a bold new voice.
In a festival brimming with talent,Animal Farmstands out as a triumph of theatrical storytelling. A breathtaking tour de force that brings Orwell's barnyard to life with wit, urgency and unforgettable power." (Greg Stewart)

UK Theatre Web (11/08/25)
https://www.uktw.co.uk/news/Animal-Farm/7295.html

"Guy Masterson's epic interpretation of Animal Farm is delivered here by Sam Blythe. It is an exceptional performance. As well as narrating, each animal is physically and vocally identified and Blyth switches deftly from one to the next. His timing is superb as he drives the story forward. On a black stage with a few sound effects Orwell's world is brought to life. A few topical updates add to the continuing relevance. Catch it while you can, Comradse!" (Derek)

Edinburgh Reporter (04/08/25) - MORE RELEVANT NOW THAN WHEN ORWELL WROTE IT!
https://theedinburghreporter.co.uk/2025/08/fringe-2025-animal-farm-/

"Animal Farm is a text that many have read (often at school). It'sa story that is, in its broad outlines, familiar to us, as are some its famous lines (‘All animals are equal, but some animals are more equal than others'). This familiarity can mean we overlook it. Some may consider 1984 to be Orwell's most enduring work, and Animal Farm a lighter, less significant work. This dynamic one man adaptation, by Guy Masterson, is performed by physical actor Sam Blythe underscored the quality of Orwell's ‘fable' and the relevance of its themes. As Blythe said at the very end, it was ‘deeply frightening' that Orwell's words were ‘more relevant than when he wrote them'.
Very sensibly, the script largely kept to Orwell's beautifully crafted words, with minor alterations – including some references to more recent politics, especially to Trumpian politics. This was wise, given that this is Orwell's most crafted piece of fiction. His famous work is widely considered one of the finest works of political satire, one in which deep themes are articulated in clear and powerful prose.
Anna Funder has, in her recent book Wifedom, suggested that the particularly polished prose of Animal Farm can be traced to the influence of Orwell's first wife Eileen. She was an English Language and Literature graduate from Oxford, skilled in editing and composing text. So, keeping largely to the original text was a wise move.
The performance began urgently, with Old Major's (the Lenin/ Marx figure) speech delivered in near darkness. This outlined the utopian vision and the laws of Animalism that would, as the story developed, be eroded and betrayed. With a lot to cover, the first twenty minutes or so, was a fraction rushed, not allowing Orwell's to 'breathe' sufficiently. Happily, the pace became more varied as the performance progressed, giving the words the space and weight they deserved.
With such a well-known book, it's always important to actually hear the actual words and give the audience time to absorb them and think of their wider meaning and relevance. The quality of the original text shines through, its deeper meanings, beyond a allegory of the Russian Revolution and the development of Stalinist Russia. That Russia is again an authoritarian state, controlled by a deeply manipulative leadership again demonstrates the pertinence of Orwell's text, first published in 1945.
The audience entered the theatre to the sounds of Pink Floyd's Pigs, the blend of melodic discordant and sounds preparing the audience for what lies ahead; of utopian ideals perverted. On the stage sit a hat and a whip, another foretaste of how the story will develop. These violent undertones become a significant part of the tale, especially when the pigs start to utilise packs of vicious dogs to do their dirty work, to enforce new rules as they emerge.
A key part of Orwell's argument is one against simplistic notions in politics. For example the argument that all that the animals needed to achieve a good society is to get rid of human control. Once that is achieved, a utopian future is at hand. It overlooks the drawn out and determined efforts needed to create free and democratic societies. Some may think of such notions in our contemporary politics, such as that removing the influence of the EU on Britain would set it on the path to a glorious revival as Global Britain. Or perhaps that Scotland becoming an independent country will, by itself, create a much better, more equal society. It's another example of the relevance of Orwell's take, as expressed through well-crafted fiction.
As one of Orwell's biographers, Bernard Crick argued, most polemical writings on politics date very quickly. Fiction can, in skilled hands, produce something with lasting significance. Getting serious and nuanced political ideas into a work of fiction is not easy, but if achieved can create something with lasting relevance. Many, of varied political persuasions, see Orwell's 1984 as starkly relevant, its deep pessimism connecting to our current age. This performance illustrated that Animal Farm also has a darkness at its core, though dressed in the gentle mode of ‘A Fairy Story'.
As Sam Blythe has to play all the parts, he has to use a variety of accents and voices to differentiate the characters. And to act out the more dramatic scenes, he has to contort its body to reproduce the movements of the different animals. This works well and adds to the impact of the performance. For instance, supported by disturbing sound effects, his embodiment of the pack of wild dogs is very well performed. Particularly effective are some of the final scenes, making very effective use of silhouettes and lighting. As Napoleon (the Stalin figure) becomes ever more authoritarian, red lighting is used to warn us of the danger posed to any animal who questions his authority all makes any comments about the continual revisions to the laws of animalism.
Chief propagandist Squealer is played menacingly, his bureaucratic language (‘that will be attended to') delivered in a way that it's dripping with threat. The relevance of such propaganda was made clear with regular references to ‘fake news', and also to ‘alternative facts'. The ultimate threat was rhetorically asking some of the sceptical animals whether they wanted to return to the pre-revolutionary era - (‘do you want Jones to return?')... as we know, one of Orwell's central themes was the misuse of language in politics.
The audience was kept enthralled throughout, impressive given most will be familiar with the basic ark of the narrative.  Also impressive given that it was a performance of almost 80 minutes. Many performances in the fringe are about 50 minutes, with some performers struggling to retain an audience throughout that. Blythe certainly did not struggle to do this, though what such a performance takes out of the actor was evident when he stopped for a lengthy and much deserved drink of water halfway through. It demonstrated how much a performer must put into such a show. Particularly well done were some of the emotional scenes involving the ‘Stakanovite’ cart-horse Boxer (‘I will work harder’). Especially when it’s revealed that instead of being sent away for hospital treatment he is being sent to the knacker. The words ‘boxer was never seen again’ were delivered in a particularly affecting way. This leads to Clover’s emotional, elegiac final performance of the soon to be banned anthem Beasts of England
The extended applause from the audience at the end was well-deserved. This is a performance that illustrates, in many ways, Animal Farm is Orwell’s enduring masterpiece. It’s an impressive and arresting performance which breathes new life into a familiar text.“ (Charlie Ellis)

One-4-Review - (08/08/25) - A RIVETING TOUR DE FORCE!
https://one4review.co.uk/2025/08/animal-farm-4

Animal Farm delivers a riveting 75 minutes of solo theatre, building on Guy Masterson's celebrated adaptation of Orwell's novel. Performed by Sam Blythe with remarkable energy and precision, the show grips the audience from its first moments and never lets go. With minimal props, including a wooden kist doubling as a bale of straw, Blythe conjures the entire barnyard, slipping seamlessly between Napoleon's steely authority, Boxer's honest strength, and Squealer's oily spin.
There were a couple of slips in delivery, even a quick prompt at one point, but given the sheer volume of dialogue, the multitude of characters, and the relentless pace, these moments are easily forgiven. Blythe's physical and vocal dexterity more than compensate, and the focus quickly returns to the story's momentum.
What makes this production particularly alive is how it interweaves contemporary touches – references to "fake news, "the threat of "WMC "(weapons of mass castration), and even the appearance of an animal named Farage. These additions land with knowing laughs, underscoring Orwell's enduring relevance without feeling forced.
The result is a powerful, fast-paced retelling that balances humour, political bite, and theatrical craftsmanship. Blythe's performance is a tour-de-force of character work, keeping the audience engaged, amused, and occasionally unsettled. It's a potent reminder that Animal Farm isn't just about history, it's a mirror that we still need to look in to. (Howard)

The Quintessential Review (11/08/25) - HIGH QUALITY IN EVERY RESPECT
https://theqr.co.uk/2025/08/11/edfringe-review-animal-farm (WJ Quinn - 11/08/25)

"Guy Masterson's 30th anniversary resurrection of his one-man Animal Farm is in safe hands with Sam Blythe on stage. It's a big ask, as a show, not only in terms of abridgement, but also performance. Bringing farmyard animals to life without it seeming like a children's show is no mean feat; the pitfalls are many.
The show, smartly, keeps faithfully to the text, with a few modernisms assiduously sprinkled in to cement parallels with our modern discourse on ‘Fake News' and the global resurgence of authoritarianism.
Masterson's red pen is busiest in the earlier passages of Orwell's seminal novel, keen to bring us through the animals' war with humanity, and into Napoleon, the Stalin-esque pig's progressively more despotic rule.
If Blythe did not so swiftly manifest the central cast of characters, it would certainly seem even more imbalanced. However, with such vibrant creatures such as stolid Boxer, the heavy horse, or weasely Spin-doctor Squealer the pig, it feels like a pacey descent into a conflict no one is truly prepared to deal with, not the combat, and certainly not the aftermath.
Helping to reduce the threat of kids' show sensitivities, Masterson wisely leaves the stage blank and black, except for a soap box, a whip, and a bowler hat. Blythe uses the entire space, not always in motion, but never rooted in one place. Each animal, be they sheep, cow, horse or chicken, is created with a blend of well-judged physicality and voice modulation.
Early in proceedings, when there are several prominent pigs to create, there is some prospect of confusion, but as the casualties mount, these issues evaporate.
Lighting also proves central to ‘Animal Farm's' success, whether bathing the stage in red as Napoleon's grip on power strengthens, or slowly plunging the auditorium into darkness as the atrocities mount. Snippets of recorded animal noise add a little extra dimension, but are perhaps extra to requirements. This is, nevertheless, a high-quality production in every respect, with nothing left to chance or unpolished.
For those who know Orwell's novel well, this is an impressive re-telling; for those who don't, I suspect it will be that much more thrilling. Aside from entertainment, theatre exists to reflect our world back to us, and to raise questions. This fark fable, told very well, certainly does that." (WJ Quinn)

EDFRINGE 2025 PUNTERS' REVIEWS

Jeffrey Deans - 26 AUG 2025
Truly amazing performance, well deserved standing ovation.

Annmarie Ashton - 21 AUG 2025
Went to see Animal Farm today phenomenal performance from Sam Blythe .I have adored this book since I was a child and I certainly was not left wanting by this stunning performance.Highly Highly recommend...

Joy Boole - 21 AUG 2025
Absolutely incredible performance. Just so so captivating.

Vincent - 21 AUG 2025
Amazing performance that kept all my attention until the very end - 5/5

Eva Donahey - 20 AUG 2025
Such an impressive performance! I went with a group of friends and we were all absolutely astonished with the show :) The physicality of each and every character made the story very understandable and impactful. Incredible job :)!”

Heather Lamb - 20 AUG 2025
“Didn't know what to expect but this show captured me from start to finish! This is an amazing one man show who tells the story in an extremely engaging way for all. Standing ovation at the end today and well worth it!”

Martin MacLeish - 19 AUG 2025
“Sam Blythe's performance in Animal Farm is truly sensational! The best one man show I have ever seen! Brilliant......don't miss it!”

Sioux Sharp - 18 AUG 2025
“A phenomenal tour de force. Sam Blythe gives a breathtaking performance, as all the animals (and humans) in Orwell’s classic, and still prescient, allegory. He is not to be missed. Having visited the fringe for 20 years and working in the media in more I have seen a handful of excellent theatre shows and Sam is one of the - totally superb. If the criteria is out of 5 stars, he’s a 6”

David King - 17 AUG 2025
“Sam Blythe does a wonderful job with this painfully poignant allegory. His one man show catches you up from the very start and carries you right through to the dramatic conclusion. He is a talented actor, switching effortlessly through all the various characters involved. A high energy, compellingly relevant work of dramatic art.”

Gareth Scott - 17 AUG 2025
“A very powerful performance that has stuck with me. Very relevant in today's political climate. Highly recommend.”

Mike Paris-Johnstone - 17 AUG 2025
“This book changed me at school 40 years ago. I still remember key characters and the messages Orwell was trying to deliver all this time later. We took our 16/17 yr olds to see Sam/Guy in action yesterday and walked out fizzing. As pertinent today as it ever was, and truly worrying that the kids could see the parallels with the modern era so clearly. I wanted to jump to my feet to give a standing ovation, but it just felt wrong given the context. Such a pleasure to see such care/attention/professionalism/diligence/intelligence and sheer ability in 75 mins. The kids are performing 1984 here and this couldn’t have set up their week any better. Genuinely excellent and a fab demonstration of how to deliver exciting and relevant storytelling. Top drawer "

Juliet Knight - 17 AUG 2025
"This was an excellent one man adaptation of the George Orwell classic. The actor brought the character of the animals to life using nothing more than body language and his voice, showing incredible dexterity in switching rapidly between them. There is a real sense of drama and suspense as the story progresses from its idealistic beginning to its inevitable corrupt end. Even though I knew the story well, I got new things out of this adaptation and found it poignant and thought provoking. Highly recommend."

Lucy Murphy - 16 AUG 2025
"Absolutely phenomenal performance! Stand out show and would urge everyone who can to see it!! Sam Blythe is an exceptional talent and I was enthralled from start to finish! I'm now booking to see him perform Method in My Madness…cannot get enough!!"

Marie Stanley-Speed - 16 AUG 2025
"This show deserves your attention and is worth the ticket price. Outstanding performer combining a variety of voices and physical characterisations with engaging storytelling. The audience, with me were spellbound. Humour helped by a few subtle references to recent political events. Comfortable venue."

Anonymous Punter - 15 AUG 2025
"3/5 Great adaptation of animal farm. Well performed and enjoyable to watch."

James Newall - 15 AUG 2025
"5/5* Guy Masterson directs Sam Blythe. Wonderful one man show. Sam Blythe captures all the parts so clearly that the story rattles along. An extraordinary vocal and physical tour de force. Recommended for everyone, not just those for whom it is on their syllabus!"

Dan F - 15 AUG 2025
"Went to see this on a recommendation and so glad I did. Sam's character work was incredible! His movements and voices made this show mesmerising from start to finish. I was engaged throughout. Go see it!"

Catherine Waters - 15 AUG 2025
"Been here a week and seen 20 shows and this is the best so far! Masterful engaging solo performance of a very relevant classic. Using unique spoken word and full body movement to give instantly identifiable voices to all the characters . I loved it, go see it!!"

Richard McKenzie-Small - 15 AUG 2025
"Sam Blythe put his heart and soul into a wonderful, roller-coaster ride, which was one of the best pieces of theatre I have seen in ages. Go see it!

Hyemee Shin - 14 AUG 2025
"I'm convinced his one-man play will go down in history as the original novel did. I offer my highest praise for his exceptional performance.

Liza Grashion - 14 AUG 2025
"An amazing performance! A gifted performer delivering a classic story with clever references to modern politics. A must see."

Amelia Modlin - 14 AUG 2025
Blythe is simply superb. Magnetic from beginning to end, he embodies every role fully and with such specificity I forgot I was watching a one man show. I've seen many many one man performances, and this is a top tier, master-class tour de force. Highly relevant and poignant, this production sheds new light on our trying time in an accessible and engaging way. If you are here for real, powerful art, this is a must-see!"

Raffaella Warren-Barbieri - 14 AUG 2025
"Exceptional. In the saturated market of one person shows, Animal Farm feels like a full production and Sam Blythe pulls off the entire narration masterfully. A fantastic, if hard watch in the current climate, which more people need to see."

Deborah - 13 AUG 2025
One of the best theatre shows for us this year. Sam was brilliant, the 75 mins flew by. The production successfully encapsulated the original story bringing it successfully to life on the stage. So relevant still. Please support this amazing actor and show. Well done and thank you."

David Billingham - 13 AUG 2025
"A 10 out 10 tour de force. A timeless tale that we need more than ever. Highly recommended."

Drew Kerr - 13 AUG 2025
"I have been to 18 shows so far on this 2025 Fringe binge and this still remains my absolute favorite. A tour-de-force performance by Sam Blythe that truly must been seen. The script has been tweaked to show how Orwell's story is directly connected to what is going on now in the world. This is a riveting, never-a-dull-moment performance. I hope Blythe takes this show to the US, where it REALLY should be seen."

Josh - 11 AUG 2025
"Really good 10/10 - Even without knowing the book I understood everything. As a European some sections were hard to understand but totally manageable."

Kaz Freedman - 11 AUG 2025
"Blew away any expectations I had. A gripping adaptation of the Orwellian classic. I was in awe of Blythe the entire time by his constant energy and ability to single-handedly portray all the characters. Would recommend. "

Rosie B - 10 AUG 2025
"Totally captivating, chillingly relevant! This performance is absolutely unmissable. 4 legs good, 2 legs bad, Sam Blythe brilliant!! "

Somaya Khan - 10 AUG 2025
"Sam Blythe is a remarkable performer. In 75 minutes, he singlehandedly takes us through the political statement that is Animal Farm and embodies all the major animal parts, each with its distinct voice, accent, speech patterns, and physical characteristics. His energy is outstanding and there's not a moment in the show that drags. I'd have loved to see him perform Hamlet as well but unfortunately I couldn't make the time. But I know I'll be looking for his shows at the next Fringe coz he's brilliant."

Amanda Parker - 10 AUG 2025
"Sam Blythe is an outstanding actor who really does justice to this fringe classic. The physicality of his performance and ability to transform from one character to another, showing their animalistic traits alongside their personalities is an impressive feat. Don't be fooled by the slightly silly looking poster, this isn't a clownish parody. The production is true to Orwell's original intent which as Sam notes to the audience after the show is sadly even more relevant today than it was at the time it was written.
To note, Sam is also performing a one-man Hamlet, Method in my Madness, which I cannot wait to see! It's playing around 11 in the morning, but he is good enough to forsake a lie in!"

Stephanie - 10 AUG 2025
"A captivating piece of narrative and physical theatre, and also a timely reminder of the genius of Orwell's original allegory. It was performed with truly amazing energy,. A wealth of different stances and different voices were used for the characters, so that the audience was never confused about which character is speaking as the story unfolds. A really powerful performance, maximum stars from me."

Jane - 10 AUG 2025
"Brilliantly performed - such energy! Really interesting to hear this story again. Increasingly relevant for our times. Sadly."

Mary Barber - 10 AUG 2025
"Fantastic show and what great acting. Love the story which is so relevant today and presented so well. Go see it."

Howard Becke - 9 AUG 205
"Brilliant show. Completely engaging and so cleverly presented. Go and see it. "

Janine - 8 AUG 2025
"Excellent. Very engaging and timely interpretation of this most important cautionary tale against authoritarianism. DON"T MISS THIS!"

Karen Tindale - 7 AUG 2025
"Amazing performance!"

Thomasin Lockwood - 7 AUG 2025
"Like a lot of people, I studied Animal Farm at school. It always felt like an analogy of something that happened in the past. Now it feels like it's a play about something that's happening now. A very effective, powerful adaption performed by an incredible actor."

Alison - 6 AUG 2025
"Excellent, engrossing performance from Sam. Loved the odd current reference. One of the best shows we've seen in 10 years coming to the fringe."

Anna M - 5 AUG 2025
"Remarkable performance and production, in awe of Sam Blythe's talent. Enjoyed by 13 year old and 53 year old equally! "

Pamela Jones - 5 AUG 2025
"What a fantastic play. Thoroughly enjoyable…even more relevant today than when written in 1945.."

James C - 5 AUG 2025
"Go and see this. Sam Blythe's performance captivates from the outset, while he conjures out of nothing the sights, sounds and smells of Animal Farm to deliver the book's ever-relevant messages. The production is minimal while enhancing Blythe's physical presence, which he uses to superb effect along with his characterisation of all the animals. Really wonderful. Skip a stand-up and go see Animal Farm."

Joseph H - 5 AUG 2025
"A great show. Highly recommend for those looking for a unique take on Orwell's masterpiece."

Richard - 5 AUG 2025
"Absolutely fantastic. Huge effort and achievement by Sam Blythe.
Forget the endless stand ups you must see this show."

Mia Rowe - 5 AUG 2025
"Absolutely loved this show. Amazing script and physical theatre. Tells the story of Animal Farm in a creative and new way - my favourite show from the fringe so far!"

Patrick Dunne - 3 AUG 2025
"I saw this today and it was brilliant. A vital, Important story brilliantly embodied and wonderfully done. Outstanding one man performance of one of the 20th centuries most Important stories. Go and see it. "

Claire Renshaw - 3 AUG 2025
"Amazing! Mesmerising show - every character was utterly believable and the story is as relevant today as it was when written. Brilliant!!"

Kathleen Noonan - 3 AUG 2025
"This excellent one man show is a superb, high energy, adaptation of the still relevant tale of Animal Farm. 5 stars! "

Macew - 2 AUG 2025
Rating: 5/5. - "A worthy re-telling of this classic tale. Sam does a brilliant job playing the roles of the different animals on the farm, and his commanding performance as Napolean the pig makes us feel as if we were one of the animals under his rule! A tale published in 1945 but still so relevant today."

Lesley Mackay - 2 AUG 2025
"Excellent, still remains very relevant, delivered by a very versatile and talented actor. The performance was captivating".

 

ANIMAL FARM - WITH SAM BLYTHE

(IMAGE CREDIT:NUX PHOTOGRAPHY)

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Sam Blythe in Animal Farm (Image Credit: Nux Phtography)

Sam Blythe in Animal Farm (Image Credit: Nux Phtography)

TopSam Blythe in Animal Farm (Image Credit: Nux Phtography)

Sam Blythe in Animal Farm (Image Credit: Nux Phtography)

Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)
Sam Blythe in Animal Farm (Image Credit: Nux Phtography)

ANIMAL FARM Tek Specs - click to download

Click on image
to download tek specs

ANIMAL FARM can play theatres ranging from 100 capacity to 1500.

A full amplification system and Fully programmable LX Board is required.

In all theatres, sound and lights will require ONE experienced operator - unless sound and lighting positions are not together.

Operation involves SELF CUEING PRE-PROGRAMMED LX CUES, Q-LAB SFX CUES FROM A CLEAR SCRIPT

To View or Download Technical Specifications click here

LX

A: Centre Spot Special (Steel Blue Lee 117)
B: Warm Wash (Middle Wash) (Chocolate (Lee 156)
C: HOT WASH (Full Wash) Straw Lee103)
D: FULL WASH Mix of C at 50% and E at Full
E: FULL COLD WASH (Steel Blue Lee 117)
F1: Open White Birdie Floor light Or small fresnel
F2: RED Birdie Floor light (Red Lee 106) Or small fresnel
G: Near Vertical Special (White)
Audience Blinders - 4 ParCans from rear of stage facing the audience

SFX Qlab File provided Approx 100 cues.
Good Amplification and Speakers with fold-back.
Script Provided by artist on the day - to be operated by one highly competent in-house operator BUT TWO iF sound and lights cannot be operated from same position.
Operation involves self cueing from script, SFX on Qlab, LX on programmed board and Mic On/Off and changing effects. SCRIPT CAN BE PROVIDED UPON REQUEST
Duration

FULL SHOW runs 105 minutes plus an interval (55 & 50)
OR SCHOOLS SHOW without an interval 80 mins straight through

Artist
  • Artiste will travel with cue scripts,
  • If travelling by car, he will also bring the wooden box
  • If travelling by ticketed transport, please provide a box (the approximate size of a hay bale) or some other raised platform (image below).
  • Dimensions: L:102cm H:36cm W:46cm

ANIMAL FARM Box

Stage

Suitable for auditoria ranging from the intimate (100 seats) to the large (1500 seats) A wooden box the size of a haybale will be brought by Artiste. Clean black flooring, tabs & backdrop are required. If the floor is very scuffed, please repaint or lay dance floor.

Space Required The show requires only a bare, clean, open stage wth clean black tabs.
Minimum playing area is 4 meters wide by 3 meters deep. This is compact. Larger is preferable.
Set up & Rehearsal After PreHang - approximately 3 hours depending on the size of the space.